Sunday, September 30, 2012
Friday, March 18, 2011
Saturday, March 12, 2011
Monday, November 1, 2010
Video Served Three Ways – Little Berlin, Great and Terrible Collective and Rebekah Templeton


Great and Terrible Collective’s “I Got Rosacea Just for this Party” presents a completely different approach to video and display. The show, curated by Dana M. Osburn, is set in a Kensington living room where each TV has a chair in front of it so viewers can sit and watch the videos with the intensity of a Saturday morning. “Wipe Outlet” by Sarah Mooney features cartoon dinosaurs heading out to a big box store to buy a selection of wipes that range from butt wipes to anti-aging, cholesterol, and lobster wipes. My notes from watching Mooney’s next video, “Hello,” read “Clay people and a paper guy in a boat, in a nut, painting trees. Cheese on a toothbrush. We were angels.” I think that’s a pretty accurate recap.
Kristina Centore’s “Pup” shows a claymation girl begging her parents for a dog. After a mildly frightening tantrum they relent and give her a dog that proceeds to eat her. The out of tune and hostile version of Fur Elise on the soundtrack is particularly apropos for anyone forced into piano lessons at a certain age. Centore’s “Young Lives” is even more blood thirsty with two golum-like children in a fight that escalates through decapitation and dismemberment and just continues into a fade out with the boys’ skeletons still fighting and a soft voice saying “blood, blood, blood.” These vignettes perfectly mimic the Sunday cartoons that had lower production values and higher morality content than the much more loved Saturday fare. Except, of course, for their intense and remorseless outcomes.
Saturday, September 4, 2010
Unconditional surrender goes to times square
Meraviglia at Great and Terrible Collective
Sunday, June 27, 2010
new itunes app: check out the article on artblog

Fruit basket upset – John Baldessari’s iPhone app lets you re-arrange a Dutch masterpiece
By roberta | June 25, 2010
Jori Finkel’s story on Culture Monster tells only half the story, namely that courtesy of John Baldessari’s new iPhone app (previewable online here), you can re-arrange the 17th Century still life to suit your own fancy. What it doesn’t say is how much fun it is. Quick, go play with your food!
The free app will be at iTunes next week. The app cost $35,000 and was produced by For Your Art. The whole project is in conjunction with Baldessari’s show, Pure Beauty, at LACMA. The painting featured in the app is the 1667 oil Banquet Still Life by Dutch master, Abraham van Beyeren, which is part of LACMA’s collection. This is Baldessari’s second foray into computer-re-arrangement of art. The last time, in 2001, he used the same painting and viewers would manipulate the painting at a computer set up in the gallery. The conceptual artist has been reconfiguring human heads and bodies for quite a while in his work, which never struck me before as humorous. Maybe, given this whimsical art project, I’ll have to reconsider.
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